Andrea invites photographers to join her this January for a new season of inspiring photography courses designed for curious, mature learners. The courses are designed to help you explore fresh techniques, develop your creative voice, and build confidence in your craft.
Spaces are limited, so if you’d like to join, reserve your spot now and start the year with renewed photographic energy and community.
The course offerings include:
The Photographer’s Eye: Inquiries in Perception + Design (online)
The Advanced Abstract Lab: Experiments in Seeing (online)
The Photographic Explorers Group (in person, Vancouver area, includes field trips)
As an ongoing project, Gabriola Photography Club curates the art display space downstairs at the Gabriola Medical Clinic on Church Street, Gabriola Island. Club members take turns having solo exhibitions or taking part in group exhibitions.
We’re delighted to present a new exhibit by Blair Mann, entitled “Gabriola Artists: A Review in Black and White”.
Blair says the new exhibit is a sampling of work in his ongoing project to capture artists absorbed in their creative process, and that his has chosen to process the images in black and white “because colour can distract the viewer from seeing the connection an artist has to their work”.
Blair is skilled at photographing people. Before moving to Gabriola, he worked as a commercial photographer in the Lower Mainland for almost 15 years, creating portraits and headshots of actors, singers, dancers, public speakers and authors, along with corporate executives, boards of directors and staff of numerous companies. As well, he photographed products made by light manufacturing companies for use in their sales catalogues and websites.
In Blair’s own words:
Having come to digital photography in my early 50’s, I realized I needed some help if I was going to be successful. To this end I hired two mentors. Peter Hurley in New York City and Don Giannatti in Phoenix, Arizona.
Over three years of weekly critiques, Peter taught me lighting, portrait and headshot photography and how to interact with my subject.
From my two years of every-other-week online meet ups with Don, I learned the business side of Photography; i.e. how to acquire clients, marketing, how to write proposals and contracts – how to get paid. Also, Don taught product photography.
From this experience, I learned to love photographing people. There wasn’t, and still isn’t, anything more exciting for me.
After retiring and moving full time to Gabriola about nine years ago, I looked for ways to still capture images of people. With the support of Gabriola artist Gwen Spinks, I was able to connect with other artists on the island who kindly allowed me to capture their moment in time. The personal project is still ongoing.
I wish to thank the Gabriola Photography Club for asking me to display a sampling of my work at LifeLabs.
It is my hope you have an opportunity to view my work.
Gabriola Photography Club’s annual Show & Sale will take place on Sunday, November 23. It’s a great antidote to the dark days of late fall.
This fun, free event runs from 12:00 to 4:00 pm at the Rollo Centre (685 North Road, in the Village, across from the school).
In addition to the gorgeous prints, greeting cards and other photographic items you’ll find on hand, the Show offers a good opportunity to talk photography with some of the folks involved in the Gabriola Photography Club, and learn more about our group, which welcomes new members.
With Remembrance Day approaching, we are very pleased to welcome Libby Gunn as our next guest speaker, for a presentation that promises to be as moving as it is appropriate to the occasion.
In November 2022 Libby visited war-related areas of northern France, including Vimy Ridge, Juno Beach and other less well-known sites. She’ll share her photos and describe her experience of visiting these sites at our club meeting on Wed. November 5.
Libby is a writer and photographer who moved to Gabriola Island ten years ago and has since volunteered in various capacities with Gabriola Land & Trails Trust. Previously she spent most most of her adult life in the NWT, working with Parks Canada for much of her career. As a writer, she has been longlisted three times for the CBC Nonfiction contest, has had her articles published in several magazines. and has self-published an illustrated natural history guide to the landscape near Fort Smith, NWT. She now splits her time between Gabriola and Lake of the Woods in northern Ontario.
Libby describes her fascination with photography:
“I loved photography as a kid. As a teen I set up a black-and-white darkroom in the basement laundry/furnace room of our house in Vancouver. I spent many late-night hours under that red light trying just one more print to get it right… Art history captured my attention when I was at university. I loved learning more formally what I already worked with intuitively: line, shadow, composition. Later I played a lot with video. With the advent of digital pictures I have done less photography as I loved the rigour of film and the mystery of the darkroom, but I am still composing photos in my mind as I look out at the world, and a compelling photo still moves me.”
The meeting will be held via Zoom, on Wed. November 5, 2025, at 10 am PDT. The link will be sent by email to all Gabriola Photography Club members on the weekend before the meeting. Make sure your membership is up to date so that you receive this info.
As an ongoing project, Gabriola Photography Club curates the art display space downstairs at the Gabriola Medical Clinic on Church Street, Gabriola Island. Club members take turns having solo exhibitions or taking part in group exhibitions.
We’re very pleased to present a new exhibit by Dirk Huysman, entitled “Size Matters”. Dirk explains his theme as follows:
Back in my darkroom days in the 80’s and 90’s, I believed that a photograph was not finished until it was successfully printed. This was typical in the film days as the form a photograph took unprinted was a negative. I struggled with the hope of making images match the size I wanted. For a variety of reasons, an 11” by 14” image seemed the largest my photographs could manage retaining the image quality I wanted.
In the digital world of photography, the same challenges exist, but there are more ways to increase the size of a good image. The choice of size desired then is up to the wishes of the photographer or those purchasing a photograph. I remember talking to Victor Anthony about why all of the photos he displayed were in the 8”x10” format. His response was quick and articulate. He wanted his photographs viewed up close and intimately. He was, through size choice, inviting the viewer to step closer to his image to enjoy it.
When I mounted my first photography show at Artworks way back, I ventured into somewhat larger prints. Jeff Molloy upon looking at the show made a comment that was interesting. He said “Great images, but to coin a phrase, ‘go big or go home!’ ”. The choices were placed before me. Invite intimacy or go big! While I loved my 13”x19” printer, I turned around and bought a used 24 inch wide Epson Printer and spent a lot of money on photo paper in rolls. To date, my largest prints are 24”x36’ inches. The challenge, they need space and framing became quite expensive. Other choices arose such as printing on metal, plaque mounting, canvas and the list goes on. Featured in this show are prints from 13”x19” to 24”x36”. What do you think? Does size matter?
Dirk goes on to explain his vision and subject matter in his artist statement:
Since I was a child sitting outside of the bathroom in our basement with its glowing red light shining out from the bottom of the door, I have been fascinated by photography and the creation of the photograph. My father would invite me into that dark room once in a while, to watch the image appear on paper in the developing tray. Magic was what came to my mind. The whole process, from staring through view finder, creating an image from the mind’s eye to hanging the printed image on a wall, still remains magic to me.
These days my time is divided between created 3D sculptures in glass that capture and bend light to creating 2D prints that capture the light of the world. It is all about the light that makes both of these pursuits so wonderful and magical. I love both forms of creation.
My preferences in photography are the creation of what I call ‘lightly abstracted landscapes’, though playing with the cameras in my life is always fun regardless of what I am photographing.